During this season of sharing, I am introducing my “Image Oregon” videos in which I will share the places I’ve gone to create still and video images of Oregon. Hopefully someday you will get to visit Oregon and these will give you an idea of what you can expect as an artist visiting Oregon for inspiration.
Here is one that focuses on the Astoria fishing fleet:
Photography as art is now an accepted premise by the art world. Yet many photographers reject the use of tools which can be used to refine images into art.
High Dynamic Range as a art tool
When I choose an image to be an art image I often use various tools to change the texture, enhance color or even modify elements of the image. Sometimes as in this example I exaggerate tonal rangers and contrast so that details become a key to defining what I want the image to say. In this case I was trying to impart a holiday color to leaves that gave them meaning as a second chance to impact those who saw them.
What I saw and what it became are imaginations apart.
I am a photographer sometimes and a digital artist at other times. I use the various tools – lens and software – to create my own world. Artistic vision lives, for me, in the mind. When I photograph something for a print or “straight” image what I really see are levels of contrast and forms. When I create Some digital art the forms, contrast, and colors seem to “swim” to a place they want to be. Letting the forms migrate to where they want to be as the colors to morph into the shades they prefer come from the artistic vision portion of my mind. Most often this is not a calculated process but something organic that just happens.
Artist can sometimes be “secretive ” – and photographers especially so. I believe in sharing creative inspiration and will be doing a series of travelogues highlighting the places I image. Sharing is good:)
Texture in Photography is a mixture of contrast and sharpness
For me texture can be captured in photography and contrast, subject and sharpness are all key elements in creating an image that does have “texture”. Try different angles and in process be sure to work your levels/curves to bring out many contrast levels. your eyes will tell you when you have achieved the maximum level of “texture” in your creation. Always take several views of an item in which you want to show texture, as just a slight re-framing can make the difference.
I’ve seen so many people selling cameras that are less than a year or two old that I wonder if it impacts their creativity as find and purchasing a new camera does for me. If you are always looking for the next best thing to get the perfect image you won’t ever get full benefit out of your tools. The old saying “lens are forever” may not be quite true but in the long run lens offer more help in creative than successive generations of cameras. I find that it takes me several years to really get the most out of a new camera body, and I keep most of my bodies for 4 to 6 years. I use 3 bodies and thus I do get a new camera about every two years but I still have two bodies with which I am very familiar. For someone just starting I’d highly recommend getting a two or three year old camera and spend on getting 2 lenses. Often less is more if you want to concentrate on your art and not gear collection.
When I really want to push the envelope of creativity the means I use is Experimental Art – Getting past perceptual defenses
While I don’t do a lot of experimental art, I often try to break every rule when I do. It is like playing notes that are discordant – give people what they are used to and they are comfortable, make them uncomfortable and they might see in a different perspective.
This, for me, though does have limits based on my own values. You have to choose your own values in the creation of experimental art.
Here is my latest sample:
Always exploring “what is art” and the creative tools to make art a reality or virtual reality. Keeping raw edges and movement in a way that is not smooth can help art get past emotional perceptive blocks IMHO.